INDUSTRIAL / NOISE / AVANTGARDE and other extreme genres: from classical, oldschool bands, power electronics, to harsh noise and avantgarde experimenters...
The first component was the film, shot in Greece in 2016. The vantage point is a clifftop I have visited many times. A strange sense that the water curves up into the hemisphere of the sky here is always startling. The surface of the sea perpetually coruscates with patterns describing wind movement. The entire landscape feels sentient.
Post Scriptvm enters its third decade of marginal existence with a new full-length album of surrealist industrial—eight inexplicably obscure analog sound sculptures, created using antiquated electronics and obsolescent techniques, juxtaposing dark ambient, power electronics and electroacoustic music.
On “Quadrat”: Quadrat is the title of Konrad Kraft’s (aka Detlef Funder) newest album, this time released on 12“ vinyl. ...On some ways this album constitutes a kind of continuation of his previous work, which started with Temporary Audiosculptures..
Three Kestrels' looks at the experiences of unfamiliar territory and is a paean to strength and overcoming. Our most foreign and unfamiliar experiences harbour the greatest change "
There's yet another, third name, I won't reveal. The final words on the LP are: 'My friends'. For piety reasons I won't explain the original context of the voice, nor reveal the identity of the woman, who speaks these words. Besides, it's a damn long time ago anyway, and mystifications were no longer a part of my repertoire after 'Stupor Mundi'.
On "Hafenstadt": This music was originally planned to form a part of the third tape box in the MØHR interpretation series of ZNS TAPES. In this series different artists got an individual 30-minutes-piece of basic material by MØHR to be interpreted it in any way: Using it as a backing tape and adding some more tracks, getting inspired and doing something...
E was a joint work with Okko Bekker that was originally released on DOM in 1988. The CD reissue includes both tracks from the bonus 7" U that came with the first pressing of the LP.
Work on the composition began as early as 1979. A rough sketch of these first steps utilizing analogue rhythm machine and Minimoog is included as the bonus track on this disc. It became obvious that "Grünschattiger Nachmittag" was impossible to realize on the Fairlight CMI. It took nine years for the equipment at Audiplex Studios to match the technical...
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