Eugene S. Robinson & Philippe Petit - Chapel In The Pines CD
The very latest set of collaborative work by Oxbow's frontman and a master of sonic architecture, Philippe Petit, this time also including Percy Howard on vocals. Aided by two other musicians, the five pieces here are built around brooding spoken word accompanied by a range of electronics, guitars, percussion, piano and metallic sounds moulded into suitable backdrops.
The very latest set of collaborative work by Oxbow's frontman and a master of sonic architecture, Philippe Petit, this time also including Percy Howard on vocals. Aided by two other musicians, the five pieces here are built around brooding spoken word accompanied by a range of electronics, guitars, percussion, piano and metallic sounds moulded into suitable backdrops. Anybody familiar with the previous collaborative albums will be able to grasp the sometimes ravaged nature at work here. Utterly commanding, Chapel in the Pines ebbs into a space where the literary meets contemporary abstract sound in absolute harmony. Includes 8pp. booklet of Eugene's words. Scheduled for July 2018.
This recording is the result of a collaboration between Vultures Quartet and Schuyler Tsuda as requested by the University of Minnesota in Minneapolis following the Vultures Quartet performance at the 2010 Spark Festival of new music. The recording was funded by the university and provided the performers with some unique on-site instrumentation, including...
Sans Palatine Uvula showcases the amalgamation of 2 pioneering artists of their respective genres: Power Electronics and Japanoise, both whom have made their presence significantly felt (through sight and sound) ever since the early 1980s in England and Japan. Sutcliffe Jugend and Junko (from éžå¸¸éšŽæ®µ/HIJOKAIDAN) are renowned artists in their own...
Post Industrial pioneers Sutcliffe Jugend take everything to a new level with the beautifully packaged album "Offal". With printed lyrics included for the first time, we get to the heart of Sutcliffe Jugend at their euphoric and vilifying best.
Recorded as far back as 2001-2002, and first released on Cold Meat Industry in 2005, IRM's highly acclaimed third album 'Virgin Mind' is finally re-released. The album marked a radical change in the band's direction, leaving the power electronics opera of 'Oedipus Dethroned' for an even more ritualistic, experimental and epic sound. '
Two years in the making, I Cannot Tell You Where I am Until I Love You is the first release on Alrealon by Anthony Donovan. Combining spoken word with scenes culled from an involved admix of musique concrete, electro-acoustic and industrial, the album takes the listener through a complex series of dissociated communications, where attempts at congress and...
It has become a sort of tradition that every year during first days of autumn we release at least one part out of GT Archive Series. Keeping this tradition alive we present you seventh instalment of this series that is “Strychnina”. “Strychnina” being one of the most important albums in vast Genetic Transmission discography, originally was released in...
Here comes the re-union of the 2 ATRAX MORGUE cult albums out on two US lables at the end of the 90es. "Sickness Report" out on Release Entertainment (1996) and "Slush of a Maniac" out on Crowded Control Activities (1997). Also includued are 3 rare compilation tracks. Both albums are long time sold-out and very difficult to get even at collectors prices....
This album, 'I Am You, Dragging Halo', is the second in a nominal trilogy of works; very much the sequel to the earlier 'I Cannot Tell You Where I Am Until I Love You' (released by Alrealon in 2013) and a direct precusor to the already in-process 'i,m [sic], W/e'. Recorded in five countries and almost three years in the making, it features the voice...
This album marks the end of a trilogy that started with the "Indications of Nigredo" 12" (2008) on Segerhuva and continued with the "Order4" CD (2010) on Cold Meat Industry. Four years on, IRM now release the grand finale on Malignant Records. While the last album flowed between opposites and extremes, this new opus marks a kind of a return to more...
The second album by this group founded by LTCo's Richard Johnson, Stuart Carter and Hassni Malik when their guise as former group Splintered's last incarnation met a standstill in 1999.
The next eighth instalment in the IYHHH series. This time it's the MARCHOFF/DROIN album - a chronicle of their sonic experiments. "Source of Vectors" is the most uncompromising face of these two artists. Sounds in the vein of glitch, power electronics, electroacoustics and noise aesthetics can be found on the album. There is lots of dub/illbient rhythms,...
On "Dissociative Themes", the Indiana based experimental blackened noise / horror electronics duo Demonologists disconnect and detach even further into their own world of bleak and horror fueled psychological soundscapes.Demonologists have reached out to several comrades to help fully realize their vision for "Dissociative Themes". Matt Finney (Clawing),...
The very latest set of collaborative work by Oxbow's frontman and a master of sonic architecture, Philippe Petit, this time also including Percy Howard on vocals. Aided by two other musicians, the five pieces here are built around brooding spoken word accompanied by a range of electronics, guitars, percussion, piano and metallic sounds moulded into suitable backdrops.
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