Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint.
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint. Accompanied with the musical expression comes astonishing work from Karolina Urbaniak who designed the cover. It is as if you could touch the music.
FRAGILE CONFRONTATION finds JARL looking back into the sparse, cold isolationist landscapes of SEALED VOID, while instilling an undercurrent of impending violence, like a blade slowly moving toward flesh in tense, scraping frame-by-frame action. Metallic drones and static waves slide against each other as the confrontation between steel and skin comes to...
The album Wound Profile by Erik Jarl, the genius of Swedish electronics, previously released in a cassette, has now, after some processing of the record, come out as a CD in a very elegant digipack. The album consists of two record sessions: one of them (6 tracks) was recorded by Erik in 1999, while the other (one track) was recorded 18 months later....
Breaking Point-Syndrome is the ninth album of Erik Jarl, Swedish industrial genius. Just like his previous albums, this one radiates the remarkably icy, mercilessly depressing and languorous as well as claustrophobic mood. To reach the effect, Erik simply generates unique industrial sound. His each accord smacks of unexplainable anxiety, the feeling of...
Turbulence Colour is the tenth album of talented Swedish composer Erik Jarl, containing two and a half hours of new, never released sound material in two CDs. In terms of music, Erik Jarl remains loyal to his original but dismal style. Very long, hypnotic tracks convey unbearable, depressing and morbid states of human psyche. Turbulence Colour is at the...
Erik Jarl is active as Jarl since autumn 1999 and member of postindustrial act IRM. He has released CDs on several different record labels through the years and describe his music as turbulent, withdrawn electronics. A mixture of ambient, industrial and drone.This new double CD consists of three long tracks, the longest Jarl has done so far. Artwork and...
Vertigo Rebirth is the fourteenth album of Swedish composer Erik Jarl and the third and last part of the Vertigo trilogy. It is difficult to say anything more about Jarl's music on the whole. Like the earlier albums, this one generates particularly severe emotions that could be shortly defined as isolation, intoxication and especially negative, poisonous...
Vertigo Border is the thirteenth album of the Swedish electronics favourite and the second volume of Vertigo trilogy. The magic number thirteen may imply that the album contains anything special… However, let us leave these considerations for the numerological masturbators. There is nothing more special in Vertigo Border than in the earlier Erik's albums...
“Inner Domain” is a third (after “Tunguska Event” and “Negative Rotation/ Intensive Fracture”) release by Jarl on Zoharum label. Artist himself often labels his music as withdrawn electronics focused on isolation. Psychedelic, chemical, unbalanced, from calm to destructive, insomnia with or without structure. In this case music was influenced by“Inner...
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second...
After the critically acclaimed (and almost sold-out) collaborative album with Evenomist, Jarl returns to Zoharum fold with the next release. It is the first in the series of albums collecting rare works of Erik Jarl known for his involvement with IRM and Skin Area apart from his solo work. His own compositions are an exquisite mix of static ambient with...
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint.
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