JARL - Amygdala Colours . Hemisphere Rotation CD

Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. 
This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint. 

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Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur.
This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint.
Accompanied with the musical expression comes astonishing work from Karolina Urbaniak who designed the cover. It is as if you could touch the music.

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