"No One's Lullabies" is the 9th album by Reutoff, one of the best-known Russian projects on the international post-industrial scene. Over the course of one hour they will be performing their "lullabies" which won't let you sleep though... The whole panopticon of borderline mental states will unfold before the eyes of our attention. Every track is a masterfully performed decadent dance of emotions and feelings. Steady industrial rhythms, an unhasting but assertive semi-drunk waltz, circus-like grotesque with wicked medieval shades, comatose jazz swinging in dark tones and epic electronic doom that could also fit well in the repertoire of their brother-project Otzepenevshiye - all imbued with remarkable spirit and slightly inflamed imagination.
"No One's Lullabies" is the 9th album by Reutoff, one of the best-known Russian projects on the international post-industrial scene. Over the course of one hour they will be performing their "lullabies" which won't let you sleep though... The whole panopticon of borderline mental states will unfold before the eyes of our attention. Every track is a masterfully performed decadent dance of emotions and feelings. Steady industrial rhythms, an unhasting but assertive semi-drunk waltz, circus-like grotesque with wicked medieval shades, comatose jazz swinging in dark tones and epic electronic doom that could also fit well in the repertoire of their brother-project Otzepenevshiye - all imbued with remarkable spirit and slightly inflamed imagination. The material entitled "No One's Lullabies" was initially produced as a cassette mini-album by the German label Sea State in 2014 in a small edition of 80 copies in unconventional handmade packaging. The extended version with four additional compositions was put out by Reutoff on their bandcamp page as a web-release. Now we're glad to present the CD version of the album for the happy owners of CD-players and optical drives! The CD-edition contains an exclusive bonus track with a live version of one of Reutoff's rare compositions. The disc is packed in a matte 4-panel cardboard digisleeve, artwork features paintings by Fabrice Billard, the chef of Divine Comedy Records.
REUTOFF Tribute compilation! For those (few) who don't know Reutoff : they are one of the more prominent and intriguing Russian Post-Industrial Ambient projects. The album, celebrating the bands 16th anniversary, consists of remixes and cover versions on original Reutoff tracks, made by bands / projects / friends, whose music has always been close to the...
The series of archive recordings "Znaki / Die Zeichen" continues! The labels kultFRONT and ZHELEZOBETON present its fourth installment - the collection of compositions of the St. Petersburg-based noise project Kryptogen Rundfunk, recorded in 2003-2006. Most of these tracks were released on small-edition compilations of the same time, but some of them...
"Drones & Bones" is the first release from UHUSHUHU on Zoharum. This successful drone/ambient project is one of the most interesting ones hailing from Russia. Pavel Dombrowski composes and improvises with many other musicians under this guise using their skills to head into various directions in both genres. His albums are characterised by a...
This includes multilayered ambiental sketches with flowing chains of samples, voice loops and acoustic instruments; rhythmic percussive tracks with vigorous pulsating energy; abstract collages made of analogue electronics, radio noises and fragments of television programs; semi-static enveloping drones spiced up with field recordings. The psychedelic...
The Bubblegum Industrial Revolution continues at Entartete Musikk with a co-operational album featuring the legendary Reutoff and Deutsch Nepal. The music have been under construction for 10 years so expect a real longtime refined product with a taste of methanol. The sound spectrum spans from Electronic Orgone Accumulation in the deep underworld, over...
Gute Nacht Berlin (Good Night, Berlin) is the 3rd release on the HauRuck! label from this Russian band. Reutoff follows the ritual electronic side of their last limited CD „Unseen ritual“ by once again offering melodic and well-arranged soundscapes far away from clichés, while always maintaining that special „Reutoff-touch.“ Released 5th May 2003....
The new album of one of the oldest Russian dark-ambient projects Lunar Abyss Deus Organum is a collection of six sonic pictures of the world of thundra-yoga.
"Liquid Circuits" is the second solo studio album by Kryptogen Rundfunk released 12 years after the debut album "22.SZ" (Mechanoise Labs, 2004). The gap between these two works was filled with many collaborations and split recordings with such artists as Hladna, Lunar Abyss, Neznamo, Umpio, Forgttn, to name a few, and many tracks on various experimental...
Dendralepsya - ability to suddenly turn into a tree. Assume you're sitting home, having a dinner with relatives and all of a sudden you're all covered with branches, most often coniferous - this is it!
An incredibly deep multilayered Drone Ambient with plenty of colorful patterns. A dense self-observing stream, that takes away all the dependences and rushing through an endless self-similar spheres. Mastered by Kshatriy. Full-colored six-panel envelope Vresnit & Vetvei Art.
If somebody still doesn't know, behind the Neznamo project stands the Moscow-based musician Dmitry Shilov who stepped on the path of ritual ambient music in 1996 under the stage name of Unknown. After releasing five albums on the "Strely Peruna" ("Perun's Arrows") label, the project temporarily fell in a lethargic sleep but woke up again in 2006 with a...
the fantastic experimental drone/ethno/trance project from St. Petersburg, Russia, with two long tracks (total 23+ min.) of stunning multi-layered compositions, using lots of detail-sounds from animals, analogue synths, female eastern voices/singings, subtle (neo) classic harmonies, bells & gongs... hyper-dense & fluid;
Developing his sound from previous works, on this album Kryptogen Rundfunk uses more acoustic instruments (mouth harp, bowed guitar, metal plate, singing bowl, voice), yet stays true to his favourite array of synthesizers, effect units and of course his trademark shortwave radio noises and transmission interceptions. With all this set-up he creates a...
Developing his sound from previous works, on this album Kryptogen Rundfunk uses more acoustic instruments (mouth harp, bowed guitar, metal plate, singing bowl, voice), yet stays true to his favourite array of synthesizers, effect units and of course his trademark shortwave radio noises and transmission interceptions. With all this set-up he creates a...
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