INTRAVENE is the newly formed project by Stephen Meixner (from CONTRASTATE) and Steve Pittis (BAND OF PAIN). After working together on various one-off improvisations Meixner/Pittis have decided to join forces for a new creative outfit. INTRAVENE, dare we say it!, combines the two best features of the participants’ main projects: it has Contrastate’s expertise for dense arrangements and cultural comment through collage work but, also features some dense atmospherícs of which Band Of Pain are so bloody capable. Where the hell those drum’n’bass attacks in between come from we simply don’t know….
INTRAVENE is the newly formed project by Stephen Meixner (from CONTRASTATE) and Steve Pittis (BAND OF PAIN). After working together on various one-off improvisations Meixner/Pittis have decided to join forces for a new creative outfit. INTRAVENE, dare we say it!, combines the two best features of the participants’ main projects: it has Contrastate’s expertise for dense arrangements and cultural comment through collage work but, also features some dense atmospherícs of which Band Of Pain are so bloody capable. Where the hell those drum’n’bass attacks in between come from we simply don’t know….
Flotation Toy Warning is a very dark but, informed stream of consciousness musical endeavour which demands the listener’s attention to the full. Media samplings and scary loops in the background and some concrete tape manipulations and sound manouvres in the fore – what more can you ask for?
INTRAVENE will certainly open up new ways in the post-industrial genre. Flotation Toy Warning has four long tracks that go through various phases of manipulation and refiguration. The outcome of INTRAVENE’S experiments is always thrilling.
Amity' is definitely the most accessible album in the discography of this project. After flirting with American Tympanic Audio, [haven] comes back to the Polish market. The fifth album of one of the most interesting projects on the Polish independent scene released on Zoharum - [haven]'s 'Amity'. The new album can be quite a challenge for the current...
Their debut album came out in 2001 as a self-released CDR that is now totally impossible to find. Tábor Radosti have created a very unique sound that includes drone, voice, samples, but also beats and analogue instruments. Their visuals and lyrics are very much centered around occult themes
DOCETISM / GHOSTS OF BRESLAU / IXORA "Circuit Intégré Volume 2 - A Compilation of Contemporary Electronica" "Circuit Intégré" is a Zoharum series, modeled after Philips' "Prospective 21e Siècle" released at the turn of the 1960s and 1970s. Our new series presents the most interesting young projects working in the the field of broadly-defined electronic...
The current edition, along with most other Rapoon re-releases in the Zoharum catalog, has been expanded to include an additional disc featuring refreshed unpublished recordings from the same session. On this second disc Robin Storey penetrates more rhythmic regions again, but with a strong melodious backbone. The extra 70 minutes completes the original...
"Time & Form" is the debut of the duo hailing from Tri-City. The material was recorded at the turn of April and May 2018, shortly after Natt and Akton gave birth to DREN. The music on the album is characterized by eclecticism. Over the course of eight electronic works, you can hear strong influences of industrial, ritual sounds and widely understood...
‘78 Angst’ is a conceptual compilation of tracks composed by Patryk Gęgniewicz (Revisq) and Lukasz Szalankiewicz (Zenial) between 2013 and 2019. This music was composed in various places and circumstances: Zenial recorded in Poznań, Kraków and New York, Patryk in Wałbrzych, Jelenia Góra and Warsaw. Thus, every track has its own specific atmosphere and...
Circuit Intégré" is a new Zoharum series, modeled after Philips' 'Prospective 21e Siècle. released at the turn of the 1960s and 1970s. Our new series presents the most interesting young projects working in the the field of broadly-defined electronic music. Each part will contain recordings of three different projects. In the first part the following...
"Use the Air" is a selection of works for the stage that have been created over the course of 15 years. Their origin in relation to choreography is difficult to put into a methodical formula. The productions were never about "dance music" in the classical sense, towhich the dancers hang like puppet threads. The starting points were djing, live...
The first component was the film, shot in Greece in 2016. The vantage point is a clifftop I have visited many times. A strange sense that the water curves up into the hemisphere of the sky here is always startling. The surface of the sea perpetually coruscates with patterns describing wind movement. The entire landscape feels sentient.
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