. 'The Face That Must Die' was recorded when Vidna Obmana was slowly transforming into his trademark ambient signature. In-between the noise outbursts and his melancholic ambient music Vidna Obmana produced a few albums which are industrial-oriented but more of an orchestral and percussion nature, in the vein of Autopsia. With turntables, shortwave radio, voice and synths Vidna Obmana recorded one of his most underrated albums full of tribalesque, doom-risen and dark ambient atmosphere. Originally released in a limited run on Vidna Obmana's own Mechanical Orchestration Music and almost around the same time issued by Trev Ward's The Order Ov Wolves, who also narrates the opening track, this is verily an indisputable masterpiece accompanied with two rare 7" tracks and two unreleased tracks from the same obscure era to turn the edition into a true collector's precious document.
Vidna Obmana is a pseudonym used by Belgian artist Dirk Serries. He has been one of the most significant names in the ambient scene for more than three decades, releasing over more than 50 solo albums and numerous collaborations. Apart from his main ambient colleagues, Vidna Obmana originates from the industrial cassette network scene in early eighties. 'The Face That Must Die' was recorded when Vidna Obmana was slowly transforming into his trademark ambient signature. In-between the noise outbursts and his melancholic ambient music Vidna Obmana produced a few albums which are industrial-oriented but more of an orchestral and percussion nature, in the vein of Autopsia. With turntables, shortwave radio, voice and synths Vidna Obmana recorded one of his most underrated albums full of tribalesque, doom-risen and dark ambient atmosphere. Originally released in a limited run on Vidna Obmana's own Mechanical Orchestration Music and almost around the same time issued by Trev Ward's The Order Ov Wolves, who also narrates the opening track, this is verily an indisputable masterpiece accompanied with two rare 7" tracks and two unreleased tracks from the same obscure era to turn the edition into a true collector's precious document. Limited to 300 copies in a 4-panel matte-laminated black & white Digipak.
Re- mastered tracks from Oophoi's former PENUMBRA label, for the first time on CD. TRACKLISTING : An' Warth 11:07, Baath Nag 7:15, Borealis 22:08 , Lifting The Veil 26:22.
Re- mastered tracks from Oophoi's former PENUMBRA label, for the first time on CD. TRACKLISTING: Awakening The Nagas 24:26, Algol 21:51, Where The Green Ants Dream 21:04
Re- mastered tracks from Oophoi's former PENUMBRA label, for the first time on CD. TRACKLISTING: The Gates Of Aldebaran 23.13, A Desperate Serenity 16:55, Echoes From A Bleeding Sky 5:50, Spiralis 22:39.
The next installment of VIDNA OBMANA in the Zoharum catalogue is the third album of the Dirk Serries' project, reissued here in a remastered form. It is a kind of continuation of the informal series bringing back to life long-forgotten albums of this Belgian artist. This is also a continuation of the releases created specifically for the needs of the...
„Traces” is a fourth album released in VIDNA OBMANA reissue series released by Zoharum. This time we present a collaboration with American artist Davidem Lee Myers. Previously it was released in 2003 roku by Klanggalerie. Early 21st century, vidnaObmana teamed up with US experimentalist, of the Arcane Device fame, for a collaborative album that showcases...
By releasing "The Trilogy" not so long ago, we have opened a new series in which we are trying to bring closer the VIDNA OBMANA albums, which have long been unavailable in regular distribution and which reach exorbitant prices on auction portals. This time we took two regular albums to work on. "The Surreal Sanctuary", like "The Contemporary Nocturne",...
THE SHAPE OF SOLITUDE is Vidna Obmana’s collaboration with Belgian guitarist and synthesist Serge Devadder. The album marks once again Vidna Obmana’s constant strive for experimentation and expanding his oeuvre with new combinations, blending genres so to speak. Influenced by way more than only the ambient music he stood for, Vidna Obmana believed in...
. 'The Face That Must Die' was recorded when Vidna Obmana was slowly transforming into his trademark ambient signature. In-between the noise outbursts and his melancholic ambient music Vidna Obmana produced a few albums which are industrial-oriented but more of an orchestral and percussion nature, in the vein of Autopsia. With turntables, shortwave radio, voice and synths Vidna Obmana recorded one of his most underrated albums full of tribalesque, doom-risen and dark ambient atmosphere. Originally released in a limited run on Vidna Obmana's own Mechanical Orchestration Music and almost around the same time issued by Trev Ward's The Order Ov Wolves, who also narrates the opening track, this is verily an indisputable masterpiece accompanied with two rare 7" tracks and two unreleased tracks from the same obscure era to turn the edition into a true collector's precious document.
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