Press-kit: The final chapter for this project run by Gianluca Becuzzi well known for his old dark wave project LIMBO but also for his solo works and collaborations with Fabio Orsi. FINAL ARCHIVES is a sort of collection of rare tracks recorded from 1999 to 2006 totally reworked and remastered in 2009. From the booklet notes: ABSOLUTE GREY is the title that Kinetix gave at his graphic artwork selection exhibited with an ambient post-scoring specifically composed for the expositive space. The exhibition is made of ten grey scale serigraphies on white forex scheets (1 meter x 1 meter) and a composition of 20 minutes played through two lour speakers and one woofer covered with grey powder on top of a white cube. Absolute Grey is been presented at the sound art festival PX2_Piombino_eXperimenta_2006. RW MATERIALS is a collection of seven short tracks from the early Kinetix production. Noise gestaltmusic. A multidimensional concept created with sound layers and ambient concretism. These tracks help to the listener to understand the start point of the Kinetix sound research. RESOUNDING SULPTURES is based on the concept of a "composition for blocks of sounds" made in the 50s and 60s by Iannis Xenakis. For this reason traditional compositional criteria (harmonic-melodic / rhythmic-metric) will replace the various criteria of plastic / spatial forms. Part of the sound sources used for Resounding Sculptures were extracted from the works of Iannis Xenakis to whom this composition is dedicated.
Second and final collaborative work by MB [Maurizio Bianchi] & MO [Mauthausen Orchestra], recorded before the premature departure of Pierpalo Zoppo the man behind Maurhausen Orchestra (R.I.P.).
Two years after "Rings", Corrado Altieri and Simon Balestrazzi are back on Old Europa Cafe with a new release that draws its inspiration from the life and work of Helena Petrovna Blavatsky, the 19th centuty Russian occultist, whose research and publications are still today a reference for many modern esoteric disciplines.
Dictatorship of Dead Labour is a collaborative release that features the imaginative efforts of Birmingham's visual/installation/conceptual artist Justin Wiggan's solo noise project Roadside Picnic and Maurizio Bianchi (M.B.), an Italian pioneer of industrial music. This intriguing project marries sound experimentalist Justin Wiggan's immersed expedition...
September 30 2016 will be an historical date for lovers of true Industrial muzak!In fact this will be the date in which one of the fathers of Industrial, none less that Mr. MAURIZIO BIANCHI / M.B. will play live for the very first time in his long career coadiuvated in this special set by GIOVANNI MORI (LCB / Le Cose Bianche) and this will be also the...
Brand new subtle work by Maurizio Bianchi exploring the noise cosmos: deep space ambient noise as only he can produce, not unlike early Lustmord or Inade.... Dedicated to the memory of Aube (Akifumi Nakajima 1959-2013) Mastered by Siegmar Fricke Limited to 100 copies in an elegant flat cover package
A selection of tracks from SSSM compilations, 1989-1992. Tracks 1 & 2 from "Corporal Punishment", 1989.Track 3 from "Mumbo Jumbo", 1990.Track 4 from "Sociometric Test", 1991.Track 5 from "Monochrome Meditator", 1991.Track 6 from "Sensory Deprivation", 1991.Track 7 from "Microinjection Master Tape", 1992.
Candor Chasma is the new electronic Italian duo of Corrado Altieri (Monosonik, Uncodified) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual). The band name comes from outer space (Candor Chasma is one of the largest canyons in the Valles Marineris canyon system on Mars) and their debut album is a 5-part hallucinogenic voyage inside analogue whirls,...
Extropy Ground Zero, Kazuyuki Kishino displays an intriguing approach towards the genre of experimental noise. Deviating from his usual genre style, he unleashes new material of percussive blast beats which take dominance in the 2 tracks (one studio and one live) contained within. The juxtaposition of electronic percussive noise tempo against layers of...
Extropy Ground Zero, Kazuyuki Kishino displays an intriguing approach towards the genre of experimental noise. Deviating from his usual genre style, he unleashes new material of percussive blast beats which take dominance in the 2 tracks (one studio and one live) contained within. The juxtaposition of electronic percussive noise tempo against layers of...
Album released by Silentes."decomposed days" relates to the possible connections between space, time and memory, making reference to imaginary movies as well as existing ones (like peter greenaway's "vertical features").the album's five compositions are built with a crosspollination between musique concrete, abstract noise textures, radical computer music...
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