Press-kit:Het Zweet (Sweat) was the band project by Marien van Oers, native of Breda in the Netherlands active from 1983 to about 1988. The music consisted of long 10 minute percussion pieces played on self built instruments (shopping trolleys amplified with pickups, blown cardboard tubes etc.) with repetitive shouted vocals by Marien. The music was often placed in the industrial camp and linked with the likes of Test Dept. but in fact Het Zweet were more concerned with ‘tribal’ music, physicality and trance effects like Z'ev. During concerts he often performed together with other players. Marien Van Oers sadly passed away in 2013. This self-titled album originally came out on the great Dossier label in Germany in 1987. The bonus material included on this reissue consists entirely of previously unreleased material. There's three untitled tracks and two live excerpts presented as long experiences that belie their disparate origins with a unity of sound and purpose. Van Oers’ percussive nous and distantly yelled chants certainly sound capable of working up a sweat in both the performer and any movement-minded listeners, but maybe the most striking thing about Het Zweet is how vital it still sounds, despite its age and relative obscurity.
Inge Graf & Walter Zyx have been working together in arts, graphics and music for over thirty years now. Their debut music album, released under the name Zyx in 1981, and called "Trust No Woman", is a minimal wave/electronic classic that was re-issued by Klanggalerie years ago and sold out very quickly. In 1985 Zyx released a second album,...
CD released by KlanggalerieThe Residents are fiddlers. Not fiddle players, just fiddlers. They like to play around and see different ways their songs could sound. They call this RMX. Some say RMX stands for "remix" but with The Residents, who knows? While the RMX concept is mostly associated with two album projects (The King and Eye RMX and WB:RMX), The...
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