Hattifnatter is a collaboration project by Evgeniy Savenko (Lunar Abyss, etc.) and M.M. (Kryptogen Rundfunk) formed in 2007 for free-form exploration of the psychoactive electroacoustic ambience and only now matured enough for this first full-length studio album. The material has been recorded in 2007-2013, infused and distilled, redefined and again sent...
A debut full-length album of the Berlin-based project Notum! Despite releasing a debut full-length only now, Notum is not a newcomer to the world of experimental music. The first digital EP "Wooden Grandmother" was released back in 2015 and was followed by a series of self-released EPs, last year there was a joint cassette with Neznamo, and a while back...
"This is the second release on Troums new label TRANSGREDIENT and also the second part of the Tjukurrpa-trilogy, aiming to show the different sides of Troum's organic & archaic dreamscapes.
Dronecore. This is the third part in TROUMs r-trilogy, following part 1 (harmonies) and part 2 (drones). This final part is dedicated to “rhythms” and “pulsations”, with a focus on rhythmic, pounding, looping & repetitive elements and structures.
Sen reveals Troum's post-industrial background with a churning drum machine which rumbles underneath the complex tonal patterns like an antiquated seaside factory. Troum, more so than their precedent incarnation Maeror Tri, has the potential to invoke awe through their hypnogogic expanses of droning sound. Rarely have they failed to push beyond their...
Completely re-mastered re-issue of this much requested dark dream-opus from 2002, now bringing out more sound details inside the endless amorph morass; 4 movements, 63+ min. long now; comes with NEW artwork by GYDJA incl. the 'dream essay' by R.B. HENSLEY; 8 panel digipack
Mare morphosis' forms the third & final part of TROUMs so called 'Power Romantic' trilogy that started with 'Mare Idiophonika' in 2010. The basic materials & arrangements for this one long epic piece were created from 2009-2013 (partly based on the recordings for the 'Bach Eingeschaltet,
Sigqan was produced January to April 2002 at Ghuto-m studios, in Bremen, Germany. It was based on a live performance on their tour throughout Germany and Netherlands with Ultrasound in October 2001. Part 1 & 2 were recorded live in the studio in one take with no overdubs. Part 3 is a new ending-part added later. The first edition was originally...
A collaborative album with Germany's Troum, recorded as a result of a spontaneous improvisation in April 2008 at Ghutô-M Studios near Weser-river in Bremen, Germany. Released on CD by Transgredient Records and LP by Denovali Records.
“ - Profound songs inspired by YEATS-poems: The acoustic transformation of the deepest yearning - For this release, the german ‘transcendental-drone’-duo TROUM teams up with the legendary british singer / songwriter and EYELESS IN GAZA-member MARTYN BATES.
An incredibly deep multilayered Drone Ambient with plenty of colorful patterns. A dense self-observing stream, that takes away all the dependences and rushing through an endless self-similar spheres. Mastered by Kshatriy. Full-colored six-panel envelope Vresnit & Vetvei Art.
Recorded live at the Hall of the District of Gracia Council, during the LEM Festival, Barcelona, 04.06.1999 Subtitled: "short cuts for mental stereoscopic labyrinths" Re-issue of Grà cia Territori Sonor 2000 edition
The new album of one of the oldest Russian dark-ambient projects Lunar Abyss Deus Organum is a collection of six sonic pictures of the world of thundra-yoga.
A new CD release is presented on the Vetvei label. It is a split of three already well-known projects: Bardoseneticcube (St.-Petersburg), Vresnit (Yaroslavl) and Kshatriy (Vsevolozhsk). Being active and variously cooperating in studios and at concerts, the authors have got a vision of joint release: this split is inspired by a condition of direct...
Bardoseneticcube album is inspired by life and works of Nika Turbina. The musical dedication of Bardoseneticcube is presented in 12 untitled tracks filled with surrealistic feelings and some childish morbidity. Obscure loops and industrial soundscapes are buried under a pile of rhyme wreckage, melody fragments and almost chaotic manifold of strange sounds.
A Long View Across Refers to the feeling you get when touching an artefact that was made more than 7,000 years ago, in this case stone rock carvings in the Cheviot hills in Northumberland. Spread out across the top of the hills lie huge stone tables carved with many petroglyphs weaving in and out of each other. The sites where you find the carvings are...
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