Given that it's film music it varies in style and tone. From narrative and holding in suspense electronics to some proper heavy riffage. “Klechdy” is a horror movie so don’t expect light treatment as the soundtrack is an integral part and a proper representation of what you see on the screen.
Alexander Shargey (also known as Yuriy Kondratyuk) is a representative of passionate enthusiastic inventors who put their lives at stake to accomplish the mission for the future good of the whole mankind. Shargey belongs to a cohort of scientists who were the first to foresee the space conquering. They were great yet mocked-at dreamers and had to fight...
DEVOTIO uses monumental bell-sounds that build complex overlappings & hypnotic drone-waves in various layers, dissolving into pure vibrations. To us It sounds like a journey into the heart of the sacral, pointing at a sphere of transcendence where all questions end. Or begin again. Comes on white vinyl and with great artwork by Berlin-based artworker...
Conceptional album inspired with the character and works of Erik Satie. Material was created only just on the basis of processing one of his famous composition, "gymnopédies", according to the author's method of the Bionulora work: 100% sound recycling. Surrealistic passages of imagination and eccentric micromelancholy.
Vertigo Border is the thirteenth album of the Swedish electronics favourite and the second volume of Vertigo trilogy. The magic number thirteen may imply that the album contains anything special… However, let us leave these considerations for the numerological masturbators. There is nothing more special in Vertigo Border than in the earlier Erik's albums...
Vertigo Rebirth is the fourteenth album of Swedish composer Erik Jarl and the third and last part of the Vertigo trilogy. It is difficult to say anything more about Jarl's music on the whole. Like the earlier albums, this one generates particularly severe emotions that could be shortly defined as isolation, intoxication and especially negative, poisonous...
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