Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint.
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint. Accompanied with the musical expression comes astonishing work from Karolina Urbaniak who designed the cover. It is as if you could touch the music.
The album Wound Profile by Erik Jarl, the genius of Swedish electronics, previously released in a cassette, has now, after some processing of the record, come out as a CD in a very elegant digipack. The album consists of two record sessions: one of them (6 tracks) was recorded by Erik in 1999, while the other (one track) was recorded 18 months later....
Breaking Point-Syndrome is the ninth album of Erik Jarl, Swedish industrial genius. Just like his previous albums, this one radiates the remarkably icy, mercilessly depressing and languorous as well as claustrophobic mood. To reach the effect, Erik simply generates unique industrial sound. His each accord smacks of unexplainable anxiety, the feeling of...
Erik Jarl is active as Jarl since autumn 1999 and member of postindustrial act IRM. He has released CDs on several different record labels through the years and describe his music as turbulent, withdrawn electronics. A mixture of ambient, industrial and drone.This new double CD consists of three long tracks, the longest Jarl has done so far. Artwork and...
Vertigo Border is the thirteenth album of the Swedish electronics favourite and the second volume of Vertigo trilogy. The magic number thirteen may imply that the album contains anything special… However, let us leave these considerations for the numerological masturbators. There is nothing more special in Vertigo Border than in the earlier Erik's albums...
“Inner Domain” is a third (after “Tunguska Event” and “Negative Rotation/ Intensive Fracture”) release by Jarl on Zoharum label. Artist himself often labels his music as withdrawn electronics focused on isolation. Psychedelic, chemical, unbalanced, from calm to destructive, insomnia with or without structure. In this case music was influenced by“Inner...
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second...
Another, third album by the Swedish artist in the Reverse Alignement catalog. One of the most interesting productions in JARL's discography, and certainly one of the best in this label's catalog in 2017.
After the critically acclaimed (and almost sold-out) collaborative album with Evenomist, Jarl returns to Zoharum fold with the next release. It is the first in the series of albums collecting rare works of Erik Jarl known for his involvement with IRM and Skin Area apart from his solo work. His own compositions are an exquisite mix of static ambient with...
work here as an intronautic vessel in which you descend into the depths of subconsciousness.As much as at first this appears to be a demanding piece of work it’s utterly rewarding and eventually makes you wanna listen to it on and on and on...
Jarl has a long discography behind him with more than 15 releases since his solo project started in the early years of the millenia. Describing his music as unbalanced, turbulent, withdrawn electronics that focus on isolation he's made an impact on the electronic scene defining an own explicit sound. "Amygdala Colours - Hemisphere Rotation" is the second album on Reverse Alignment and follows the critically acclaimed "Case 1959 - Dyatlov". But where previous album explored the external mysteries of Dyatlov 1959 Jarl take us unto an internal trip through the structures and events of the cognitive mind with a main focus on the Amygdala, where the processing of memory, decision-making, and emotional reactions occur. This album is built with layers of sound which slowely gets audible and disappears psychedelically. A variation of electronic and acoustic treatments has been used and the whole album is a mastodon track passing 50 minutes. As usual, the listener gets a mixture of drone, ambient and industrial that are molded perfectly into "that" typical Jarl-ish sound that sure wont dissapoint.
We use cookies to give you the best browsing experience, to create content, ads and offers personalised to you and to analyse our website use. Accept and continue to site
