Dwupłytowy album NO FESTIVAL OF LIGHTInfo od wydawcy: No Festival Of Light is the best kept secret in the annals of dark industrial Swedish tradition. For decades Fredrik Bergström's guilty pleasure lingered at the backyard of the world to sporadically cast a shadow of minimalist ritualism and evaporate in enchanted air again. An unorthodox approach and...
Manifest Bryana Lewisa Saundersa - okraszony ilustracją muzyczną.Info od wydawcy:"The bastard son of William S. Burroughs, Antonin Artaud and Crispin Glover. Hilarious, awful, heartbreaking and brutally honest, his Stand Up Tragedy is some of the best shit I've heard in a decade" - Lydia Lunch. Bryan Lewis Saunders is a multi-media artist, poet,...
Druga edycja albumu InnanaInfo od wydawcy:Old Captain is thrilled to announce the re-release of a ritual death ambient masterpiece: Inanna - Oeuvres Completes Tome I-XVI 2CD. Original non-mastered analogue recording dated 1992 (Sound Source cassette release). Mikael Stavöstrand's grand project with all-time classics. A 200 2CD edition in a 4-panel glossy...
Kompilacja nagrań Kryptogen Rundfunk, której mimo różnorodności gatunkowej słucha się wyśmienicie. Info od wydawcy: The series of archive recordings "Znaki / Die Zeichen" continues! The labels kultFRONT and ZHELEZOBETON present its fourth installment - the collection of compositions of the St. Petersburg-based noise project Kryptogen Rundfunk, recorded
album dwupłytowy projektu Chod. Coś dla fanów tybetańskiej kultury.Info od wydawcy:The Tibetan word "Chöd" means "to cut off' or "to slay", represented in icons by the victory banner and ritual knife. In Chöd, an adept symbolically offers the flesh of their body in a form of a tantric feast. The skin of the practitioner's body represents surface reality...
Zapis koncertu z Central Baptist Church, London.Info od wydawcy:CD in jewel box with 8-page booklet. Limited edition of 300 stamp-numbered copies. "Balustrade" is CD only track. Recorded at Lynchmob Studios, London. Tracks 1 and 10 recorded at Bloomsbury c, London.
