‘The Unravelling’ is the inaugural release that officially paves the new artistic direction of Sutcliffe Jugend. This double album marks the continuity of their musical journey, and perseveres in the creative vision and sonic execution of the Kevin and Paul.
The project brings together the following: Hiroshi Hasegawa (of C.C.C.C., Astro, and many other projects), ROHCO (also of C.C.C.C. & Astro), L’Eclipse Nue (Daniel Sine) & Yoshiko Honda.
Psicopompo is the death guide that accompanies the dying to the afterworld. Synchronicity is the occurrence of two or more events that appear to be meaningfully related but not causally related. From the conceptualization of these two themes combined, German composer/musician Hermann Kopp (of Jorg Buttgereit’s Nekromantik and Der Todesking soundtracks)...
Extropy Ground Zero, Kazuyuki Kishino displays an intriguing approach towards the genre of experimental noise. Deviating from his usual genre style, he unleashes new material of percussive blast beats which take dominance in the 2 tracks (one studio and one live) contained within. The juxtaposition of electronic percussive noise tempo against layers of...
On "Dissociative Themes", the Indiana based experimental blackened noise / horror electronics duo Demonologists disconnect and detach even further into their own world of bleak and horror fueled psychological soundscapes.Demonologists have reached out to several comrades to help fully realize their vision for "Dissociative Themes". Matt Finney (Clawing),...
This is the original "NH/HN". In the past other tapes and records wrongly entitled "NH/HN" were illegally issued by several labels but those are in fact just versions of the "Nervo/Hydra" tape originally released in 1981.
WYDANIE Z KATALOGU 4iBRECORDS. INFO OD WYDAWCY:
Peripherycal Minimaltronics is the collaborative project of MB (Maurizio Bianchi) and Sostrah Tinnitus, made up of fellow Italian ambient/experimental artist Mario Costa. This album is presented in its full ambient richness through both artists applying varied techniques from sources such as old electronics,...
The basis of this album revolves around the churn of machinery and throbbing pulses of mechanized loops. The overall ambience of analog sounds derived from field recordings, tape loops, radio static from a compact stereo and a damaged vinyl ebb and flow through the various layers, exuding a bleak reality of an industrialized dystopia.
Zersetzung contains four morphologically distinct stadiums of putrefaction processes; Intracytoplasmic accumulation of necrotic voice-fragmentations confronted with postmortem intervals in denaturated audio-cadavers. A mortuary refrigerator containing high dosed autolytic treatments and segmental aponeuroses. Intense.
At begins. A slow mournful droning as if the very world itself is emitting a long low sigh of anguish. An anguished moan that rises and echoes into the vast subterranean chamber. Imperceptible and indistinct, a gentle tolling of bells emerge from the dark murky sonic abyss that is beginning to slowly unfurl around you. It’s almost as if this almost...
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to...
These 5 different sounding tracks start off with the gentle buildup of low-range vacuum-like hums that form the basic textural sound ambience. The overall electro-acoustic landscape gradually gets engulfed by the incessant build up of raw rhythmic drones with occasional minimalistic feedback noise and snippets of film dialogue. The unsettling...
Naevus has often been closely associated with the neofolk/darkfolk genre, but this 7†ł release attests much more to that perception by demonstrating the versatility and diverse influence of the band. In this current lineup comprising Lloyd James, Ben McLees and Hunter Barr, the 4 tracks in Backsaddling draw from a wide variety of musical influences...
Dictatorship of Dead Labour is a collaborative release that features the imaginative efforts of Birmingham's visual/installation/conceptual artist Justin Wiggan's solo noise project Roadside Picnic and Maurizio Bianchi (M.B.), an Italian pioneer of industrial music. This intriguing project marries sound experimentalist Justin Wiggan's immersed expedition...
Sans Palatine Uvula showcases the amalgamation of 2 pioneering artists of their respective genres: Power Electronics and Japanoise, both whom have made their presence significantly felt (through sight and sound) ever since the early 1980s in England and Japan. Sutcliffe Jugend and Junko (from éžå¸¸éšŽæ®µ/HIJOKAIDAN) are renowned artists in their own...
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