THEOLOGIAN - Some Things Have To Be Endured LP

Album THEOLOGIAN opublikowany na winylu przez Crucial Blast.

Info od wydawcy: The latest offering from NY synth-death master Theologian (aka Leech, also the mastermind behind the renowned power electronics/death industrial outfit Navicon Torture Technologies), "Some Things Have To Be Endured" features eight new tracks of punishing black industrial, apocalyptic darkwave frequencies, and nerve-rending electronic deathscapes. "Endured" is a collection of collaborations between Theologian and a lineup of female vocalists/artists from both within the industrial / noise / dark ambient / coldwave realm and beyond, with contributions from Rachael Kozak (Hecate), Kristen MacArthur (Sewer Goddess), Rachel Maloney (Tonikom), Nikki Telladictorian (Prometheus Burning), Patricia Benitez (Fetish Drone), Gillian Leigh Bowling (Teloahqaal), Christiana Key (Delphic Oracle), Joan Hacker (Factoria), Shari Vari (Void Vision), and professional opera singer Melissa C. Kelly. The tracks shift from grinding industrial dread to ethereal coldwave beauty, blasts of rumbling blackened synthcrush met with washes of haunting electronic melody, while always remaining rooted in Theologian's bleak, jet-black death industrial. Co-produced with Derek Rush/DREAM INTO DUST and mastered by James Plotkin, "Some Things Have To Be Endured" contains some of the most moving and dramatic music to emerge from Theologian's black sonic abyss to date. 

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Info od wydawcy: 5 years have passed since Navicon Torture Technologies' 2009 masterpiece finale, The Gospels of the Gash, and the last time Lee Bartow recording something specifically for release on Malignant, so it is with great honor and pride that he is welcomed back into the fold. During this span, primary releases on Crucial Blast and Handmade Birds have established and solidified his "new" project, Theologian, as a consistent and fruitful source for epically scaled and sprawling industrial soundscapes, and the 2CD set Pain of the Saints continues that trend, laying forth a dizzying 2 ½ + hours of music. Once again, Bartow has sculpted an impeccable and highly detailed excursion into tortured yet brilliant realms, where contrails of burning frequencies and blackened atmospheres intersect with densely concentrated rhythmic pulsations, ethereal, blissed-out shimmer, and the majestic monoliths of smoldering, post-apocalyptic desolation. There's a lot to absorb here, but the focus is precise even as the palate of sounds is broad and varied, a true testament to the deft skills of someone who's spent the last 15 plus years creating some of the most inventive and revolutionary sounds in modern industrial music.

Largely produced in collaboration with Fade Kainer (STATIQBLOOM, BATILLUS), and featuring the core trio of Lee M. Bartow, Matt Slagle, and Kainer, Pain of the Saints also includes contributions from David Castillo (PRIMITIVE WEAPONS/WHITE WIDOWS PACT), Joan Hacker (FACTORIA/HEROINE), Christiana Key (DELPHIC ORACLE), Matthew Melnick (DARKSIDE NYC/ex-DISASSOCIATE), Eric Morgan (A PALE HORSE NAMED DEATH), Jessica Way (WORM OUROBOROS/BARREN HARVEST), and more.

Lyrically and thematically it represents Bartow's rallying cry against Christianity and more specifically Catholicism — an "Anti-Theist manifesto" — and sonic diatribe exposing hypocrisy within the church and a broader questioning of what sainthood means. In his own words, "...in many cases, it seems almost like a prerequisite for Sainthood is to suffer at the hands of the Church. It was common to imprison, torture, execute anyone with ideas that ran contrary to what the Church dictated, to brand them as a heretic or a witch, or an apostate, and then end their lives using some of the most brutal methods humans have ever conceived. Then, the ultimate hypocrisy: to turn around and dub these victims of the Church as saints, centuries after having murdered them."

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