The eight tracks on this CD were distilled from a multitude of live recordings made throughout 2005 and 2006, during the first year of a prolonged European tour. This period of constant travel was one of extensive musical activity which served as an accompaniment to our varied radio art engagements, and the recordings of those concerts are the source...
Ambient & Film Music 1+2" including 2 CD (Vol.1 / Tracks 1~10 from 1991 + Vol.2 / Tracks 11~21 from 2011)."The intriguing music project Sombre Printemps, which Philippe Fichot/Die Form created in 1991 to commemorate the German author and graphic designer Unica Zürn (the project’s name has been taken from one of her books), is now undergoing a...
Kontinent is half of Polish Power Electronics duo Kevlar, but Kontinent’s solo work is not by all means any less powerful than his mother band. The project is defunct since 2019 and "Stasis" is a "post mortem" and first ever CD reissue of this seminal album previously released on tape and vinyl courtesy of Unrest Productions in 2017.
"Vindicta", is the first chapter of a trilogy focusing on grim/tragic aspects of Sardinian culture, recorded by UNCODIFIED (feat. Corrado Altieri of Candor Chasma, Monosonik), and WERTHAM (feat. Marco Deplano of Caligula031 and Foresta di Ferro) in 2013.
n the past few years, Corrado Alteri (Candor Chasma, Monosonik, TH26)'s has been making quite a name for himself with his loudest project, thanks to the complex and highly differentiated styles of each release, always hoisting the banner of abrasive post-industrial experimentation.
Uncodified is back with a bang with "Comunidad" a new full-length CD album. "Comunidad" is a cold and merciless analysis of contemporary political and economic scenarios, of current social textures, dominated by always-more powerful lobbies and think tanks.
Look at your back : Macelleria Mobile di Mezzanotte is on the road again ....Negroni, Cigarettes, Flash, Guns, Paparazzi .... This is the trade-mark sound for "Loosers".White-Jazz Industrial as only MMM can play.A mix of cold Industrial and a warm Jazzy Saxophone.
The album moves between industrial territories, strictly autobiographical lyrics - cut-ups of a past intended to never re-emerge, if not under lies. Sounds of a super saturated bass, rough distortion and repetitive percussive cells to emphasize how in the end....these years, nothing new, nothing different, alone and saturated like in any Hector Babenco...
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