"recouvre la merde" or to loosely translate, "Cover the Shit" embodies the dark and sick humour of French 'troubadour' of Harsh Noise Wall, VOMIR. In this 3-parter, Romain Perrot unleashes a no-nonsensical torrent of unyielding wall-of-noise-harshness through 3 brain-convulsing tracks delivered in one long continuous movement.
The project brings together the following: Hiroshi Hasegawa (of C.C.C.C., Astro, and many other projects), ROHCO (also of C.C.C.C. & Astro), L’Eclipse Nue (Daniel Sine) & Yoshiko Honda.
2017 Edition. Journey Of The K-Verband (Throat Lure) was recorded in the summer of 2011 and is the second chapter of The Voyage Of The Decima Mas. The K-Verband was the WWII German frogman equivalent to the Italian Decima MAS; taking example from the Italian frogmen and their missions. The Rita has used the WWII frogmen theme as representative of the...
Psicopompo is the death guide that accompanies the dying to the afterworld. Synchronicity is the occurrence of two or more events that appear to be meaningfully related but not causally related. From the conceptualization of these two themes combined, German composer/musician Hermann Kopp (of Jorg Buttgereit’s Nekromantik and Der Todesking soundtracks)...
Voices of children in a park, people playing a handball game, dogs barking, a man talking of philosophy, a demon lurking in a dark corner. Dreamlike mental landscape of nonsensical memories, a metamorphic passage from the blackness, the shadows of a lost beauty. Everything frozen in the stillness of phantom recordings.
Sans Palatine Uvula showcases the amalgamation of 2 pioneering artists of their respective genres: Power Electronics and Japanoise, both whom have made their presence significantly felt (through sight and sound) ever since the early 1980s in England and Japan. Sutcliffe Jugend and Junko (from éžå¸¸éšŽæ®µ/HIJOKAIDAN) are renowned artists in their own...
Extropy Ground Zero, Kazuyuki Kishino displays an intriguing approach towards the genre of experimental noise. Deviating from his usual genre style, he unleashes new material of percussive blast beats which take dominance in the 2 tracks (one studio and one live) contained within. The juxtaposition of electronic percussive noise tempo against layers of...
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